rubix rhymes

That’s the state of my rubix 4-cube, which I recently re-noticed, hiding behind a vase. The core was not too bad, but the edges were a pain; I never really figured out the rules. I just kept trying different things and hoping my pattern recognition circuits were being subliminally helpful. In the end, it’s been reduced to a 3-cube, which is all that really matters: the rest is (in theory) a bunch of vertex swaps, vertex shuffles and edge swap/shuffles. (Oh and don’t get too comfy with the edges lined up… they’re gonna be re-positioned… though hopefully* not scrambled, during the final steps).

But it’s not the edge shuffles I’m not worried about… basic twists’ll do, and occasionally the Deanster, my pet eponym for the algorithm a friend taught me a long time ago for edge shuffles. It’s beautifully poetic… almost sing-song… have a listen:

“up, around, up, around, up around – around,
down, around, down, around, down around – around”.

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The nihilist’s way out

Nihilism seems to have undertones of apathy, doesn’t it? There’s something about it like a big sigh. A world-weary, ‘ho hum’ sort of way of being at the core of it.

But detachment… correct detachment, which is what the Eastern philosophical concept is often translated / sold as, seems to have a rather mirthful (or perhaps just serene) quality. And it does not mean, as the name might suggest, ‘not caring’ or ‘indifference’. Also, while nihilism is not materialist, detachment itself is neither non-materialist nor materialist.

Regardless, both concepts (nihilism and detachment) recognise the same fundamentals – basically that the joke’s on us… but the similarities end there. Continue reading

Part two of the rant with no name: “Your women need more elastic!”

Male heroism, at least in the movies, is a simplistic thing: upper body strength, good reaction times, speed/agility, nerves of steel. Around that you can wrap slightly less essential things: good looks, a way with the women (or at least the leading lady), and erm… puzzle-solving, I guess. They will be on a quest of some sort, after all. Then there’s the slightly more esoteric things like supernatural agency and descendancy from (or ascendancy into) one pantheon or another.

Female heroism on the other hand is a less clear-cut thing – it hasn’t really been thought out as a template for mass-storytelling at the same scale. But templates are in and of themselves problematic, so perhaps this is a good thing. Regardless, we don’t seem to have any real understanding of (or perhaps just agreement on) what a female hero IS… so that when a female hero needs to be instantiated for celluloid storytelling purposes, we resort to just picking up the male hero character archetype and it’s related styles of cinema/film-making and storytelling, according to the genre, and then we plug in a female actor for the lead role.

She will be as pubescent in form as possible, and either tightly-clad or scantily clad; take your pick. If she’s a contemporary heroine, she will have just enough chesticles to communicate the fact that they have been strapped down in utilitarian service of her fantastically hectic lifestyle, keeping the critical feminists at arm’s length while giving fans of chesticles something to hope for. We might go to some trouble to make her dark-haired, or at least brunnette, for this is what will convey her badass kungfuciousness. We the audience undertake the remaining run-time suspensions of belief so her morphology, which will necessarily deviate substantially from that of someone who might actually be able to take or throw meaningful punches… will not negate acts of ass-kicking. Continue reading

Heart rates in phase space: how Poincaré might have saved my final year project

Rewind several years: An iffy union of breadboard and circuit components. Ugly soldering. A MATLAB-assisted foray into ECG patterns. The advisor who, in his humble opinion, thought girls should stay at home and look after families (I KID YOU NOT. There were only 3 of us girls in his class, and he meant it just as his personal opinion, not to interfere with his teaching, so we let him off, but… still!?!). Getting the fat effing writeup printed and bound, all spell-/grammar-checked; 12 point Times New Roman with specific margins and headers and footers and glossaries and references or you’d be sorry. PURE hassles! And then of course, presenting the poxy thing down in the lab, in front of the rest of your cohort and the wielders of the mighty red pens (faculty). Continue reading

“What is the what?” – Or, knowing jack about jack.

You should probably know what words I’ve hijacked in order to complete this blog post. By hijack, I mean these are my definitions; they are local to this blog post… they last until the end of the post, at which point they vanish into thin air.

An ontology is the specification that makes a reality perceivable.

Auto-learning is my mildly-silly name for the process of teaching yourself something you know absolutely nothing about, with significant constraints (usu. one of time, money, or access to formal education), requiring you to bootstrap an ontology for yourself.

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“Chan pa he chan ho!”

I was just musing over how incredibly annoying ads are these days… and then Heineken’s ‘The Date’ concept burst onto the scene. (Well, OK… ‘my awareness’. It’s been on ‘the scene’ for a good while already).

It’s AWESOME.

It takes some kind of bollywood-meets-bond, meets circus, meets date-movie memeplex and manages to create something immersive and engaging from it all. The joins between the borrowed ideas are seamless, and the cross-cultural slant is just a breath of fresh air. The two characters at the center of the action move the world’s tiniest story forward, from one moment to the next, and the miniature plot unfolds within the tight temporal constraints yet nothing feels squeezed at all (in fact, the shorter edits of the ad work even better). So we accept this gorgeous epic, compactified as it is in every possible dimension and yet remaining as engaging as any well-made marathon flick… Continue reading

Exhibit – history of television

So, when trundling along between the movator lanes at the airport (San Francisco), what do you expect to see? OK, what do you totally not expect to see? A totally awesome exhibit on the history of television, that’s what… right smack dab in the middle of the thoroughfare between the security-heads and the gate you’re supposed to wait patiently at.

What are the frigging odds? That someone has sought to entertain – scratch that - educate the pieces of captive meat traipsing back and forth… this was an ode to the beleaguered traveller, I tell you. An oasis of mental stimulation… Continue reading